In 1876, prolific inventor Thomas Edison patented what he called a “Stencil-Pen” – an electric pen, run by a rotary motor, designed to create stencils. The machine would puncture the paper (Edison boasted it could make 50 punctures a second), which would then have an ink-roller taken to it. The invention was designed to help secretaries, printers, and office workers who often had to make numerous copies of one document. It went on sale in the U.S. in late 1876, and was then quickly followed up by an improved, two-coil electromagnetic version, selling in both the U.S. and the U.K. Ultimately, however, the pen was not all that successful; similar products, as well as the earliest typewriters, were already on the market, and Edison’s invention didn’t seem much of an improvement on the current technology.
While the Stencil-Pen was overshadowed by better products in the office, people in a very different industry were just beginning to see its potential. Around the same time Edison released the rotary machine, an Irish man named Samuel O’Reilly began tattooing – an art which, at the time, consisted of poking and cutting ink into the skin. O’Reilly was good at what he did, however, and eventually moved to New York, where he tattooed circus “freaks”, daring celebrities, and many fellow Irishmen, gaining himself a large clientele and a reputation as a legitimate artist. He was also, apparently, a shrewd business man. Legend has it that O’Reilly first spotted a rotary Stencil-Pen in the window of an office supply shop, walked in and asked for a demonstration, and immediately contacted the patent office to find Edison had let it expire. O’Reilly purchased the pen, made a few minor alterations, including an ink reservoir, and patented it as the first tattoo machine in 1891.
Across the Atlantic, Thomas Riley of London was working on a similar idea, using the electromagnetic concept. Riley created a single-coil machine using a modified doorbell assembly contained in a brass box, and patented it just 20 days after O’Reilly patented his. The autumn of 1891 saw the tattoo machine born not once, but twice. One rotary, one electromagnetic; one American, one British; both inspired by Edison’s failed pen.
From that year on, artists and engineers took these two machines and altered, improved upon, and re-patented them many times. Alfred Charles took Tom Riley’s machine and added a second coil, creating the immediate predecessor for the machines we see most often today. Charles Wagner, thought to be a student of Samuel O’Reilly’s, patented an improved version of O’Reilly’s machine in 1904. As both designs evolved, they began sharing more and more features, and in 1929, Percy Waters took the best of both machines, made heavy alterations to the design, and patented the machine we still use today. It was Waters’ modifications that really changed the landscape of both tattoo machines and tattooing as an art-form – his design allowed for adjustments, which meant the speed, depth, and angle of the needles could be changed as needed. He also improved the functionality of it, making it lighter and easier to handle. It was this machine that artists would run with, and from then to present date, alter, modify, and personalize.
It is doubtful that Thomas Edison would have ever seen any potential in the Stencil-Pen as a tattoo machine. It is doubtful that Samuel O’Reilly imagined his adding an ink reservoir to it would spawn a whole new industry. It is doubtful that Tom Riley thought his doorbell in a box would become the prototype of today’s machines. Yet the ideas of these three men, along with many others along the way, all directly led to Percy Waters’ perfected version of a tattoo machine, and launched the first major tattoo supply company in America. Were it not for these inventors, artists, business men, and engineers, we may very well still be getting tattooed with shells and sticks.